Richard Weinstein, former dean of the Graduate School of Architecture and Urban Planning at UCLA and champion of the more experimental west coast architectural approach who helped place UCLA at the forefront of a movement to incorporate the burgeoning field of computer technology and robotics into the school’s curriculum, died Feb. 24 in Santa Monica, California. He was 85.
Weinstein was dean of the architecture and urban planning school from 1985–1994 and professor of architecture and urban design, from 1995 to 2008.
“Everything good about the department of architecture and urban design is good because of Richard, not only because of the amazing people he brought to the school, from Frank Israel to Thom Mayne, but because he continued to guide and provoke us all long after he no longer had to,” said Sylvia Lavin, professor and former chair of the department. “He brought me to UCLA when I had little yet to offer, stood by me during turbulent times of change while I was chair, and taught me how much good can be achieved behind the scenes. He was our godfather, our guru and our rabbi.”
UCLA Executive Vice Chancellor and Provost Scott Waugh echoed Lavin.
“Richard’s leadership as dean, his deep dedication to teaching and his generous mentorship of students and faculty alike have all left an indelible mark at UCLA,” Waugh said. “His legacy will continue not only through his many achievements in architecture and urban planning, but also through the generations of civic-minded professionals he helped develop.”
Weinstein’s many contributions include establishing the Lewis Center for Regional Policy Studies at UCLA, serving on the jury for the Walt Disney Concert Hall, and as co-administrator of the architectural selection process for the new Cathedral of Our Lady of the Angels in Los Angeles.
“Richard’s commitment to improving the public life of cities as a young man in the mayor’s office in New York was met with an equal commitment to safeguarding the creative independence of the notoriously free-wheeling Los Angeles school of architects from bureaucratic control,” Lavin said.
“Richard has been absolutely central to my development as an architect,” said Mayne, UCLA distinguished professor of architecture. “Richard saw architecture/urbanism as a noble profession with immeasurable potential to shape everyday life, inextricably linked to its social, political and cultural circumstance. We often discussed the seemingly unknowable nature of our profession which only propelled us to stubbornly attempt to achieve the impossible — in every project.”
From 1968 to 1974 he was director of New York City Mayor John Lindsay’s Office of Planning and Development for Lower Manhattan. This period marked a unique moment in the history of civic urban planning when designers had agency beyond the immediate concerns of building code. More than 100 urban planners and architects worked with the direct authority of the mayor to negotiate deals with the development community consistent with a broader vision for the planning for the city.
In this role, Weinstein helped transform the way cities manage development, insisting that public benefit had to be identified as a fundamental principal of zoning variance. He believed that part of the city’s mandate was to preserve and enrich the life of the public and cultural streetscape as the city grew taller with private investment. Refuting the practice of simply granting variances to developers in exchange for increased taxes, these zoning codes became a new and different means of implementing complex planning objectives.
In midtown Manhattan, this policy expressed itself in a commitment to preserving and expanding the historic midtown theater district. In exchange for building variances, developers would have to integrate theaters for the public benefit. Under this policy, Weinstein introduced two experimental and two Broadway theaters: the Minskoff, the Uris, the Circle in the Square and the American Place Theater.
He also helped to save the South Street Seaport and the last 18th century brick buildings, six blocks of them, on the island of Manhattan by brokering a real-estate alliance with a consortium of Wall Street Banks led by David Rockefeller. He helped to bolster the Museum of Modern Art’s finances and fund its expansion by proposing the development of a new residential tower that leveraged an underutilized building envelope.
Weinstein’s later projects include the concept, schematic design, and administration of the Museum of Modern Art’s first expansion in New York; new and adaptive reuse of facilities for the National Trust for Historic Preservation; promotion of the redevelopment of 42nd Street; design and completion of Temple Kehillath Israel in the Pacific Palisades; design of the Westside Children’s Center; and proposals, among others, for Gorky Park, Moscow.
Born in New York, he earned his bachelor’s degree in experimental psychology from Brown University, an M.A. in clinical psychology from Columbia University, and a master of architecture from the University of Pennsylvania, where he studied under renowned architect, Louis Kahn. Throughout his career, he was recognized with many distinctions including the Rome Prize awarded by the American Academy in Rome and a first prize in urban design from Progressive Architecture.
He is survived by his wife and partner of 34 years, Edina, two sons — Alexander and Nikolas, and two granddaughters.