Louisiana native Pableaux Johnson has been photographing Second Lines — or Sunday brass band parades — in New Orleans for more than a decade. This exhibition, which runs from Dec. 16 through April 28 at the Fowler Museum at UCLA, presents 48 color portraits of participants in jubilant processions organized by African American social aid and pleasure clubs, known as SAPCs, which are a hallmark of the Crescent City.

Driven by upbeat music, the second line is a unified whole made up of the first line (SAPC members and the band) and the Second Lines (families, tourists, and neighbors who walk and dance with them). In a broader context, the choreographed dance routines and improvisational steps exemplify a legacy of African-inspired ritual and performance.

Originating in the mid-19th century as benevolent associations dedicated to charitable work within the black community, SAPCs have marched on Sundays and special occasions for generations. Collectively, the clubs manage a parade calendar of roughly 40 Sundays per year, and each member has a task to perform: coordinating city permits and marching routes, fundraising, and honoring deceased community members. Elders teach younger participants the how and why of the tradition: basic choreography, how to pace one’s self for up to four hours of dance, where to stop in and pay respects to local businesses, and other facets of second-lining, current and historical.

Unmistakable in custom-tailored suits and gowns, matching hats and shoes, and colorful accessories such as parasols, sashes and feathered fans, Second Lines weave their way through the city accompanied by local musicians playing trombones, trumpets, tubas and drums. Mixing together with crowds of all ages, the procession embodies a rich local tradition of music, movement and the demonstration of cultural pride.

About the Artist

Pableaux Johnson began photographing social aid and pleasure clubs’ Second Lines when he arrived in New Orleans in 2001, but turned to consistently documenting the tradition around 2009. Johnson is also a food and travel writer, technologist, and founder of the Red Beans Roadshow, a traveling pop-up that partners with local chefs across the country to serve traditional New Orleans Monday night supper of red beans, rice and cornbread.

“My goal with these photographs is to capture in a single frame what it feels like to be in the middle of a Second Line — sandwiched between the horn line and a parked car, riding the rope that defines the club’s sacred dance floor, sneaking in to catch the frenetic buckjumping style that matches New Orleans contemporary brass band music,” Johnson said. “In a city that’s 300 years old, Sunday Second Lines nod to the past but embrace the present — that thin line where tradition lives fully, four hours of unbridled jubilation at a time.”


“New Orleans Second Line Parades: Photographs by Pableaux Johnson” is organized by the Fowler Museum at UCLA and curated by Patrick Polk, curator of Latin American and Caribbean popular arts and guest curator Jeri Bernadette Williams.

Related Programs

Culture Fix: Patrick Polk and Jeri Bernadette Williams on “New Orleans Second Line Parades”
Friday, Jan. 4, noon

Exhibition co-curators Polk and Williams lead a walk-through of Pableaux Johnson’s photographs of Second Line parades and discuss the pageantry and public performance the images document. The discussion will also compare Second Lines to other Black Atlantic festival traditions, drawing cultural connections to Brazil, Haiti, Cuba, and east and central Africa.

Artist Talk: Pableaux Johnson
Saturday, Jan. 26, 2 p.m.

Johnson walks viewers through his photographs of Second Line parades and offers his recollections of marching alongside the benevolent societies who keep this tradition alive.

Celebrating Mardi Gras: A Concert with the New Orleans Traditional Jazz Band
Sunday, March 3, 1 p.m.

In advance of Mardi Gras, the New Orleans Traditional Jazz Band takes the stage for a concert inspired by the exhibition New Orleans Second Line Parades. The Los Angeles-based band includes members from New Orleans who will pause throughout their performance to discuss the history of American music since 1803 (the year of the Louisiana Purchase) and leading up to the Swing Era.

About the Fowler Museum

The Fowler Museum at UCLA explores global arts and cultures with an emphasis on works from Africa, Asia, the Pacific, and the Americas — past and present. The Fowler enhances understanding of world cultures through dynamic exhibitions, publications, and public programs, informed by interdisciplinary approaches and the perspectives of the cultures represented. The work of international contemporary artists is presented within complex frameworks of politics, culture, and social action.

Admission to the Fowler is free.
Hours: Wednesday 12–8 p.m. and Thursday through Sunday 12–5 p.m.
Parking available in UCLA Lot 4, 221 Westwood Plaza at Sunset Boulevard. $3/hr (maximum $12/day).