Poisons and booby traps, underwater roads and tricky disguises — these are the survival tactics perfected by the Maroon, escaped slave communities that fanned out across the Caribbean in the 18th century. Their stories have been largely untold.

That’s about to change.

The word “maroon” is derived from the Spanish for “wild.” The Maroons were freedom seekers, a small fraction of the 12 million men, women and children estimated to have been kidnapped in Africa and sold into American slavery. Their very existence was systemically erased by colonialists, first to discourage others and later out of shame, says Justin Dunnavant, an assistant professor of anthropology at the UCLA Cotsen Institute of Archaeology and a scholar on slave ships.

Dunnavant, who joined the UCLA faculty in July 2021, is a deep-sea diver and one of the very few African American archaeologists. He earned fame for his work recovering evidence and artifacts from a sunken slave ship in the Atlantic Ocean, a grim relic of the African-Brazilian slave trade. He has also excavated wrecks from the more familiar slave trade conducted between Western Europe and the American colonies.

Dunnavant became fascinated by the stories of the Maroon while studying the records of 140 slaves held at Estate Little Princess on the island of St. Croix, which was part of the former Danish West Indies and is now one of the U.S. Virgin Islands. Escapees who successfully got away formed a hidden village known as Maroon Ridge, then and now an isolated wilderness area of beach and mountain. They grew vegetables and bred small farm animals. And when faced with recapture, they fought off their former masters with equal brutality.

Justin Dunnavant, wearing a light denim shirt and jeans, walks along a coastal trail, framed by blurred yellow wildflowers with calm water in the background.
Ryan Young
"Our work is about giving voice to the silenced," says Dunnavant, pictured here in Malibu near El Matador beach. 

Dunnavant estimates that at its peak, Maroon Ridge was home to more than a hundred men, women and children. He recently returned from the Virgin Islands and says the area of the ridge, designated in 2025 as the Maroon Sanctuary Territorial Park, is an idyllic spot. But 250 years ago, life was hard and fierce, as the escaped slaves were forced to wage a constant guerrilla war against the plantation owners, who offered cash for the return of their “stolen property.”

But the new settlers were determined — and crafty. “The Maroon protected themselves with lethal booby traps, hidden in the vegetation and spiked with poisons derived from local plants,” Dunnavant says. “These toxins terrified the Danish colonialists. Maroon would raid the plantations in disguise as slaves and slip frog venoms into the food.”

Still, some were caught. Some were tortured or mutilated by limb amputation; others were burned alive.

These wars for survival, revealed through tireless foraging through colonial archives, is allowing the UCLA anthropologist to reconstruct the daily lives of the Maroon in the emerging field of study called “critical fabulation.” It’s a fresh method for illuminating the narratives of the enslaved, the overlooked and the lost through works of “creative nonfiction” based on hard facts and scattered evidence.  “Our work,” Dunnavant says, “is about giving a voice to the silenced.”

The task is hardly new for Dunnavant, who in April was named the Joan Silsbee Professor of African Cultural Archaeology at UCLA. In announcing the appointment, Abel Valenzuela Jr., dean of UCLA’s Division of Social Sciences, cited Dunnavant’s commitment to “reclaiming history and countering erasure.” Dunnavant’s forthcoming book, Colonialism, Ecology and Slavery (Princeton University Press), explores the relationship between ecology and enslavement in the former Danish West Indies. The recipient of a Chancellor’s Arts Initiative grant earlier this year, Dunnavant is also producing a documentary that follows divers searching for sunken vessels from Marcus Garvey’s Black Star Line. 

The story of the Maroon, he says, is one not just of survival, but also of adaptation. Despite the long odds, the Maroon eventually spread out from small communities in the Caribbean and into the southern United States. In Louisiana, the Maroon built “underwater paths,” roads of logs submerged in the swamps to hold outsiders at bay. Such tricks made them local legends. The challenge of piecing together the Maroons’ history is that as a people they were always poised for fight or flight — which means they had little to leave behind in terms of material culture, even in the remote coastal areas where they lived for decades.


“If you visit the Leeward Maroon community in Jamaica today," Dunnavant says, "you feel the vibrancy of the culture, the music and the energy.”


Thankfully, technology has come to historians’ rescue. The Virgin Islands have been mapped down to minute detail by satellites and ground-penetrating lidar probes; Dunnavant, along with colleagues from Vanderbilt University, has overlaid these images with archival records to identify areas around the coast and the ridge where archaeologists can now sift for clues about the Maroons and their legacy. Dunnavant characterizes the first pass, across six areas on the ridge, as “promising”; the new mapping techniques are now being deployed at other Maroon sites.

What happened to the Maroon Ridge communities? “Some found their way to Puerto Rico [around 120 miles away]. Some still identify as Maroon, in Jamaica and elsewhere, but they are being changed by modern life,” Dunnavant says. “After slavery ended, most vanished into the general Afro-Caribbean population across the region.”

A handful made their way back to Africa. That was always the dream of this diaspora: finally, after all the violence, to go home.

For Dunnavant, the story of the Maroon is not merely one of horror and violence, but also of adaptability and creativity. “If you visit the Leeward Maroon community in Jamaica today, you feel the vibrancy of the culture, the music and the energy,” he says. “It’s a wonderful feeling.”


Read more from UCLA Magazine’s Summer 2026 issue.